Selected recent performances (and other activities)
2018
No. 267 [affinities]. For two pianos. HOCKET piano duo, Daniel Recital Hall, CSULB. (February 26)
book of the dark. For flute, clarinet, violin, viola, cello, contrabass. Sound of Late, Good Shepherd Center, Seattle. (March 3)
book of the dark. For flute, clarinet, violin, viola, cello, contrabass. Sound of Late, N.E.W. Expressive Works, Portland, Oregon. (March 10)
study (nightsong). For solo piano. Mark Uranker, piano. Faculty Composers Concert, Daniel Recital Hall, CSULB (March 19)
parting song. For piano, electric guitar, laptop, and two-channel electronics. Alan Shockley, piano, Martin Herman, laptop, Alexander Elliott Miller, electric guitar. Faculty Composers Concert, Daniel Recital Hall, CSULB (March 19)
candlepin bowling deadwood. For flute, bass clarinet, cello, piano, drum set. CSULB New Music Ensemble, Daniel Recital Hall, CSULB (April 9)
2017
“A Primer on Extended Techniques for Toy Piano.” Talk for the 2017 Florida International Toy Piano Festival. (January 6)
wndhm (1785). For two pianos. HOCKET piano duo, Webster University, St. Louis. (March 8)
after Idumea. For solo melodica. Alan Shockley, melodica. Melodica Fest, Downtown LA. (March 11)
wndhm (1785). For two pianos. HOCKET piano duo, Edge Hall, Hugh Hodgson School of Music, University of Georgia, Athens, Georgia. (March 17)
Hoc florentes arbor. For flute with Robert Dick’s glissando headjoint, and extended/prepared piano. John Barcellona, flute, and Alan Shockley, piano. Faculty Composers Concert, CSULB, Daniel Recital Hall, CSULB. (March 22)
cartes-de-visite, clara & frédéric, partridges and gauntlet and stars. Two piano miniatures in response to “Chiarina” and “Estrella,” commissioned for Benjamin Binder’s New Carnaval Project. Benjamin Binder, piano, Duquesne University. (March 29)
2016
the reverse balducci. Miniature for toy piano. Mark Robson, toy piano. Florida International Toy Piano Festival, Tampa, Florida. (January 10)
Aspects of The Temple of the Golden Pavilion. Music for Brice Brown’s video triptych I Looked Down I Realized I Had A Body. Installed as part of Brown’s exhibit Silhouette / Champion at Air Circulation in Paris. (March 10 – April 24)
bristlecone and pitch. For two pianos. The Orpheus Duo, Daniel Recital Hall, CSULB, Long Beach, California. (March 13)
wndhm (1785). For two pianos. HOCKET piano duo, Daniel Recital Hall, CSULB, Long Beach, California. (March 23)
wndhm (1785). For two pianos. HOCKET piano duo, California State University, Northridge, Northridge, California. (April 6)
“‘Inversions of all this chambermade music’: Napoleon Symphony, the Wake, and Mature Counterpoint.” Paper for the 25th International James Joyce Symposium, University of London. (June)
bristlecone and pitch. For two pianos. The Orpheus Duo, Cerritos College, Cerritos, California. (September)
knots and crosses. For solo harp (scordatura). Jillian Risigari-Gai, harp. Daniel Recital Hall, CSULB, Long Beach, California. (October 25)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. Daniel Recital Hall, CSULB, Long Beach, California (October 25)
If you know what I’m singing about up here (2016). For ensemble. CSULB New Music Ensemble, Daniel Recital Hall, CSULB, Long Beach, California. (November 2)
2015
Chair of the panel "Southern Identities" at the Society for American Music 41st Annual Conference, Sacramento, California. (March 7)
5 Studies for Glass and bridle, pomegranate and pears: On the viability and transience of a free and perfect union. For Native American bass flute, piano, and electronics. John Barcellona and Alan Shockley, performers. Daniel Recital Hall, CSULB. (March 23)
Witch's familiar. For solo flute. John Barcellona, flute. Daniel Recital Hall, CSULB. (March 23)
In residence at the Virginia Center for the Creative Arts to install The Commission 2015. (Early May 2015)
the reverse balducci. Miniature for toy piano. Mark Robson, piano. Piano Spheres: Tinkling the Tiny Keys, Boston Court Performing Arts Center, Pasadena. (May 8)
Installation piece Glass and bridle, pomegranate and pears: On the viability and transience of a free and perfect union. Collaborative work created with visual artist Brice Brown for The Commission 2015, Virginia Center for the Creative Arts. (May 9)
11 Studies for Glass and bridle, pomegranate and pears: On the viability and transience of a free and perfect union. For solo percussion and two-channel electronics. Kevin Sakamoto, percussion. Daniel Recital Hall, CSULB. (May 14)
In residence at the Virginia Center for the Creative Arts, Amherst, Virginia. (early June 2015)
die Tiefen des Rheins. For two-channel tape. 60x60 Presenters Mix, Fleischmann Planetarium and Science Center, the University of Nevada, Reno. (October 16)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Romanian Athenaeum / Bucharest Philharmonic, Bucharest, Romania. (October 21)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Frost School of Music, University of Miami. (October 23)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Winter Garden Theater at Brookfield Place, New York City. (12:30 p.m., October 23)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Winter Garden Theater at Brookfield Place, New York City. (8:00 p.m., October 23)
errours, faults, sinnes, folies. For violin and piano. The California E.A.R. Unit, Daniel Recital Hall, CSULB, Long Beach, California.
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Daniel Recital Hall, CSULB. (October 28)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Knapp Performance Spacce, Denison University. (October 30)
2014
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) International Mix. Daniel Recital Hall, CSULB. (January 29)
bristlecone and pitch (2014) For two pianos. The Orpheus Duo (Mark Uranker and Althea Waites), Daniel Recital Hall, CSULB. (February 9)
…calling. For two-channel tape. 60x60 (2012) Pacific Rim Mix. University Art Museum, CSULB. (February 20)
the night copies me in all its stars. For orchestra. Rhode Island Philharmonic Community Orchestra, Edward Markward, conductor, Providence, RI. (March 2)
In residence at the Centre d’Art Marnay Art Centre (CAMAC), Marnay-sur-Seine, France. (March 2-30)
wndhm (1785). For piano. Alan Shockley, piano, Centre d’Art Marnay Art Centre (CAMAC), Performance for public open studio night, Marnay-sur-Seine, France. (March 27)
the reverse balducci. Miniature for toy piano. Mark Robson, piano, Fifteen-Minutes-of-Fame, Composer’s Voice Concert Series, Brand Library and Arts Center, Glendale, California. (Two performances) (April 6)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Rethymno, Crete, Greece. (April 8)
wind and shadow. For two-channel tape. Music for Lola Martinez's photographic installation, Exposition Romanika, Église Saint-Jacques de Dival, Dival, Champagne-Ardenne, France. (April 18-21)
[upon] glint in river’s bed. For horn, cello, and laptop ensemble. Robin Cox, director. Indiana University-Purdue University-Indianapolis, Indianapolis, Indiana. (April 28)
...in oceangreen of shadow. For shakuhachi, microtonally retuned harp, ensemble, and electronics. Kojiro Umezaki, Jillian Risigari-Gai, and the CSULB New Music Ensemble, Adriana Verdié, conductor. (May 13)
stone guest. For two trumpets and two trombones. Performers of the Conservatorio Niccolò Paganini, Villa dei Pini, Bogliasco, Italy. (May 29)
"Anthony Burgess and Dedalus's Will." Paper for the International James Joyce Symposium, Utrecht, the Netherlands. (June 18)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) International Mix. Moonlight on the Mountain, Birmingham, Alabama. (August 21)
Taoyuan airport (after Arvo Pärt). For solo double bell trumpet. Joe Drew, trumpet, Fifteen Minutes of Fame, Jan Hus Presbyterian Church, New York City. (October 12)
Lead CSULB New Music Ensemble in the world premiere of Pauline Oliveros' Sound Listening, Long Beach, California. (November 3)
a world away . For flute, clarinet, violin, cello, piano, percussion, microtonally retuned harp, and electronics. CSULB New Music Ensemble, Long Beach, California. (November 3)
"The 'eternal reality' of Debussy's Prélude à l’après-midi d’un faune in the works of Anthony Burgess,” paper for Anthony Burgess and France: the Fifth International Symposium on Anthony Burgess, Université d’Angers, Angers, France. (December 7-9)
2013
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Wahlberg Recital Hall, California State University Fresno, Fresno, California. (January 27)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Roland Hayes Concert Hall, University of Tennessee, Chattanooga. (January 28)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Audiograft 2013, Headington Hill Hall, Oxford Brookes University, Oxford, UK. (February 27)
wndhm (1785). For solo piano. Michael Kirkendoll, DuoSolo concert as part of "New Music Virtuosos in the BCCM," Daniel Recital Hall, CSULB. (March 16)
“Technology Meets Art” Panelist along with the Kronos Quartet and host Matt Kaplan, Planetary Society Radio Host. ECS-312, Engineering Building, CSULB. (March 22)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Theatersaal, University of Bremen, Bremen, Germany. (April 4)
s a n d m a n, For cello quartet and stompbox (or optional drum set). CSULB Cello Ensemble, David Garrett, director. (April 19)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Arts & Humanities Building Grand Opening, Black Box Theatre, Arts & Humanities Build, Texas A&M University, College Station, Texas. (April 19)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Arts & Humanities Building Grand Opening Encore, Black Box Theatre, Arts & Humanities Build, Texas A&M University, College Station, Texas. (April 20)
[upon] glint in river's bed. For solo horn and laptop ensemble. CSULB Laptop Ensemble, Martin Herman, director. CSULB Laptop Ensemble Concert. (April 21)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix. Digital Lightning, presented by the Working Group in Digital and New Media, UND Gorecki Alumni Center, University of North Dakota, Grand Forks, ND (April 22)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Bellingham Electronic Arts Festival, Pickford Film Center, Bellingham, Washington. (April 25)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Axis Arts Centre, Manchester Metropolitan University, Crewe Campus, Crewe, Chesire, UK. (April 26)
[upon] glint in river's bed. For solo horn and laptop ensemble. CSULB Laptop Ensemble, Martin Herman, director. Faculty Composers Concert, Daniel Recital Hall, CSULB. (May 3)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. John Jacob Niles Gallery, FIne Arts Library, University of Kentucky. (May 3)
union fragments. For women's chorus and amplified cello. CSULB Women's Chorus, Shannon Gravelle, Director. Daniel Recital Hall, CSULB. (May 6)
[upon] glint in river’s bed (2013) For horn (or other instrument) and laptop quartet. CSULB Laptop Ensemble, Martin Herman, director. INSIGHTS 2013, University Art Museum, CSULB. (May 8)
As yet untitled. Music for dance. Collaboration with dancer/choreographer Stephanie Zaletel, Iridian Arts Series: "Hook Ups and Speed Dating," LA Artshare. (May 19)
silt and shine. Miniature for solo cello. Craig Hultgren, cello. Occupy Cello - Upsetting the Musical Status Quo, Fifteen Minutes of Fame Concert, Jan Hus Church, New York City. (May 19)
silt and shine. Miniature for solo cello. Craig Hultgren, cello. Occupy Cello - Upsetting the Musical Status Quo, Fifteen Minutes of Fame Concert, Moonlight on the Mountain, Birmingham, Alabama. (May 29)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Webster University Film Series, Winifred Moore Auditorium, Webster University. (May 31)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Clarke Recital Hall, Frost School of Music, University of Miami. (September 23)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Studio 300 Digital Art and Music Festival, Byte Gallery, Transylvania University. (October 4)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) International Mix. Electronic Music Midwest, Kansas City Kansas Community College, Kansas City, Kansas. (October 24)
2012
the night copies me in all its stars. For orchestra. CSULB Symphony Orchestra, Johannes Mueller-Stosch, conductor. (February 10)
the night copies me in all its stars. For orchestra. CSULB Symphony Orchestra, Johannes Mueller-Stosch, conductor. (February 11)
Performance (narrator) with the Robin Cox Ensemble for Tom Johnson’s Narayana’s Cows, Daniel Recital Hall, CSULB. (February 27)
Colloquium speaker, University of California, Berkeley. (April 13)
chapman’s homer. Robin Cox, violin. Faculty Composers’ Recital, Daniel Recital Hall, CSULB, Long Beach, California. (April 25)
dusted [gamma]. Miniature for solo marimba. Laura Jordan, marimba. Composers’ Voice Concert Series, Fort Washington Collegiate Church, New York City. (May 11)
“‘Hear angel trumpets and devil trombones’: Violence (and ‘Ultra-Violence’) in Beethoven’s Ninth.” Paper for the Fifty Years of A Clockwork Orange Conference, Manchester, UK. (June 30, 2012)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Arts NOW Series- North Carolina State University, Raleigh North Carolina. (September 18)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Gainesville State College, Oakwood, Georgia. (November 9)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Longy School of Music of Bard College, Cambridge, Massachusetts. (November 9)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Hulsey Recital Hall, University of Alabama at Birmingham, Birmingham, Alabama. (November 14)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Electronic & Digital Art Unit, University of Central Lancashire, Preston, UK. (November 20)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. University Art Museum, CSULB, Long Beach, California. (November 26)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Composers Concordance Mix, Composers Concordance Festival, Spectrum, New York, New York. (November 30)
Guest speaker, Long Beach City College, Long Beach, California. (November 30)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Dinu Lipatti Concert Hall, National University of Music Bucharest, Bucharest, Romania. (December 5)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. musicBYTES, Ives Hall, Lewis University, Romeoville, Illinois. (December 7)
errours, faults, sinnes, folies. For violin and piano. The California E.A.R. Unit, Daniel Recital Hall, CSULB, Long Beach, California. (December 12)
Étude pour les pédales (contraption #4) For two-channel tape. 60x60 (2012) PianoForte Mix. PianoForte Foundation, Fine Arts Building, Chicago, Illinois. Two performances at 6 and 8 p.m. (December 14)
2011
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60: Sanguine Mix. Video Collaboration with Patrick Liddell. The Sprawl, London UK. (January 27)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60: Sanguine Mix. Video Collaboration with Patrick Liddell, William Paterson University, Wayne, New Jersey. (February 10)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60: Sanguine Mix. University Art Museum. (February 11)
die Tiefen des Rheins. For two-channel electronics. Composition Faculty Recital, Daniel Recital Hall, CSULB. (March 14)
glint in river's bed. For flute, clarinet, vioilin, violoncello, contrabass, percussion, piano/toy piano, narrator, and electronics. CSULB New Music Ensemble, Composition Faculty Recital, Daniel Recital Hall, CSULB. (March 14)
Sechseläuten. For wind ensemble. CSULB Wind Symphony, John Carnahan, conductor. Carpenter Performing Arts Center, CSULB. (May 5)
contraption #2. FOr two-channel tape. 60x60 Video collaboration with Pedro Pinheiro B-Movie, Hamburg, Germany. (May 25)
candlepin·bowling·deadwood. For flute, clarinet, violoncello, piano, drum set. What's Next? Ensemble, Vimbayi Kaziboni, conductor. Los Angeles Renaissance Arts Academy. (May 31)
stone guest revisited. For brass ensemble. CSULB Brass, Rob Frear, conductor. Composed for the groundbreaking ceremony for the new Piano Pavilion, Bob Cole Conservatory of Music, CSULB. (September 23)
I feel open to... For violin, piano/toy piano, and percussion. The California EAR Unit. Boston Court Performing Arts Center, Pasadena. (October 22)
Nothing hidden that will not be revealed. For solo piano. Dzovig Markarian, piano. Faculty Artist Series Concert, Daniel Recital Hall, CSULB, Long Beach California. (October 25)
stone guest. For two trumpets and two trombones. CSULB brass, Rob Frear, conductor. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
wndhm and wndhm (1785). For clarinet, piano, percussion, two violins, cello, contrabass. The CSULB New Music Ensemble. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
Kaija calling. For two-channel tape. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
pipers' noise. For snare drum line and two-channel tape. CSULB Percussion Ensemble, Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
I feel open to... For violin, piano/toy piano, and percussion. The California EAR Unit. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
to an unnamed beneficiary.... For clarinet, trumpet, and celesta. Justus Matthews, Rob Frear, and Alan Shockley, performers. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
I feel open to... For violin, piano/toy piano, and percussion. The California EAR Unit. Rowland-Taylor Recital Hall, CSU-Chico, Chico, California. (November 4)
pipers' noise. For snare drum line and two-channel tape. CSULB Percussion Ensemble. Daniel Recital Hall, CSULB. (November 17)
micro-operas i-iii, Mindy Ehrlich, soprano. Faculty Composers Song Recital, Daniel Recital Hall, CSULB, Long Beach, California. (December 6)
2010
a foreign sound to your ear (what else can you show me?). For two-channel tape. UNC-Chapel Hill CHAT Digital Arts Festival. (February 16)
a foreign sound to your ear (what else can you show me?). For two-channel tape. CSULB Faculty Composers Concert, Daniel Recital Hall, CSULB. (March 1)
Type I error [111306-011107]. For two-channel tape. CSULB Faculty Composers Concert, Daniel Recital Hall, CSULB. (March 1)
morgenstreich. For flute, clarinet, amplified piano, harp, two violins, viola, and violoncello. CSULB New Music Ensemble, Daniel Recital Hall. (April 12)
contraption #2. For two-channel tape. 60x60 Dance presenting 360 Degrees of 60x60, Sanguine Mix, in Tompkins Square Park, NYC. (May 22)
candlepin·bowling·deadwood. For flute, clarinet, violoncello, piano, drum set. The Los Angeles Composers Project, the University of Southern California. (May 26)
musical contraption #1. For two-channel tape. 60x60 Dance, Order of Magnitude Mix, FoFA Gallery, Concordia University, Montreal, Canada. (May 30)
contraption #2. For two-channel tape. ICMC 2010, Electronic Music Foundation, NYC, 360 Degrees of 60x60 Installation. (June 1-2)
contraption #2. For two-channel tape. ICMC 2010, Stony Brook University, Stony Brook NY, 360 Degrees of 60x60 Installation. (June 3-5)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. KiBar in the KIBLA Multimedia Center, Maribor, Slovenia. (June 17)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. New Life Church Denton, Denton, Texas. (June 29)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. Transmorphous Sound Ensemble + Geek Weekend at Supermarket presented by THE AMBiENT PING, Toronto, Canada. (July 20)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. Ton:art/Gallery "Margit Haupt," Karlsruhe, Berlin, Germany. (August 6)
"Anthony Burgess's Symphonic Novel Napoleon Symphony: A Novel in Four Voices." Paper for the Pacific-Southwest Chapter of the American Musicological Society. (October 2)
glint in river's bed. For flute, clarinet, violin, viola, contrabass, percussion, piano/toy piano, electronics, and narrator. CSULB New Music Ensemble, University Art Museum. CSULB. (October 21)
"War Pigs." My reworking of the classic Sabbath anti-war statement for the Robin Cox Ensemble, with guest soprano Tany Ling (of the Industrial Jazz Group, Eighteen Squared, & Trans-Siberian Orchestra). (November 1)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. Fresno New Music Festival, CSU Fresno, Fresno, California. (November 6)
"Shakespeare, Joyce, Burgess: Fictionalized Biography and Dedalus's Will." Paper for the Fourth International Symposium on Anthony Burgess, Université d'Angers, Angers, France. (November 20)
Sechseläuten. For wind ensemble. CSULB Wind Symphony, John Carnahan, conductor. Carpenter Performing Arts Center, CSULB, Long Beach, California. (Winter)
2009
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, presented by the Bowling Green State University Electronic Music Studio, United Christian Fellowship, Bowling Green, Ohio. (January 22)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, EARFEST festival, Stony Brook University, Stony Brook, NY. (March 11)
...to an unnamed beneficiary. For clarinet, trumpet, and celesta. Various CSULB faculty performers, Faculty Composer Concert, Daniel Recital Hall, California State University, Long Beach. (March 23)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, Sonic Art Oxford Festival, Jacqueline du Pres Music Building, St. Hilda's College, Oxford Brookes University. (April 2)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, Outside the Box New Music Festival, Altgeld Hall, Carbondale School of Music, Southern Illinois University. (April 4)
program note by Henry Cowell [Beta]. For two-channel tape. Vox Novus 60x60 Dance Event, Galapagos Art Space, Williamsburg, Brooklyn. (April 7)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, Wayward Music Series, Chapel Performance Space, Good Shepard Center, Seattle, Washington. (April 17)
Pre-concert talk, “Zürich’s Sechseläuten and the Burning of the Böögg,” Bannister Gallery, Nazarian Center for the Performing Arts, Rhode Island College. (April 24)
Sechseläuten. Rhode Island College Wind Ensemble, Robert Franzblau, conductor, Roberts Hall Auditorium, Nazarian Center for the Performing Arts, Rhode Island College. (April 24)
solo performance of Mark Applebaum's The Metaphysics of Notation at the Cantor Arts Center, Stanford University, Stanford, California. (July 3)
“‘Useless creation’: A Vision of Battlements and Composing in Prose.” Paper for the International Anthony Burgess Foundation’s 3rd Symposium: Conflict, Dialogue, and Resolution. Kuala Lumpur, Malaysia. (July)
stn [adversary]. For solo violin. A virtuosic new piece commissioned by the Montecito Music Festival, and slated for premiere during the festival this year. (August 1)
little white house (underpass to the foundation), 1 p.m. [solo toy piano version]. Tiffany Lin, Rendezvous, Seattle. (November 5)
wndhm [flute, clarinet, cello, contrabass, marimba, percussion version]. CSULB New Music Ensemble, Daniel Recital Hall, CSULB. (November 9)
No. 267 [affinities]. For two pianos. HOCKET piano duo, Daniel Recital Hall, CSULB. (February 26)
book of the dark. For flute, clarinet, violin, viola, cello, contrabass. Sound of Late, Good Shepherd Center, Seattle. (March 3)
book of the dark. For flute, clarinet, violin, viola, cello, contrabass. Sound of Late, N.E.W. Expressive Works, Portland, Oregon. (March 10)
study (nightsong). For solo piano. Mark Uranker, piano. Faculty Composers Concert, Daniel Recital Hall, CSULB (March 19)
parting song. For piano, electric guitar, laptop, and two-channel electronics. Alan Shockley, piano, Martin Herman, laptop, Alexander Elliott Miller, electric guitar. Faculty Composers Concert, Daniel Recital Hall, CSULB (March 19)
candlepin bowling deadwood. For flute, bass clarinet, cello, piano, drum set. CSULB New Music Ensemble, Daniel Recital Hall, CSULB (April 9)
2017
“A Primer on Extended Techniques for Toy Piano.” Talk for the 2017 Florida International Toy Piano Festival. (January 6)
wndhm (1785). For two pianos. HOCKET piano duo, Webster University, St. Louis. (March 8)
after Idumea. For solo melodica. Alan Shockley, melodica. Melodica Fest, Downtown LA. (March 11)
wndhm (1785). For two pianos. HOCKET piano duo, Edge Hall, Hugh Hodgson School of Music, University of Georgia, Athens, Georgia. (March 17)
Hoc florentes arbor. For flute with Robert Dick’s glissando headjoint, and extended/prepared piano. John Barcellona, flute, and Alan Shockley, piano. Faculty Composers Concert, CSULB, Daniel Recital Hall, CSULB. (March 22)
cartes-de-visite, clara & frédéric, partridges and gauntlet and stars. Two piano miniatures in response to “Chiarina” and “Estrella,” commissioned for Benjamin Binder’s New Carnaval Project. Benjamin Binder, piano, Duquesne University. (March 29)
2016
the reverse balducci. Miniature for toy piano. Mark Robson, toy piano. Florida International Toy Piano Festival, Tampa, Florida. (January 10)
Aspects of The Temple of the Golden Pavilion. Music for Brice Brown’s video triptych I Looked Down I Realized I Had A Body. Installed as part of Brown’s exhibit Silhouette / Champion at Air Circulation in Paris. (March 10 – April 24)
bristlecone and pitch. For two pianos. The Orpheus Duo, Daniel Recital Hall, CSULB, Long Beach, California. (March 13)
wndhm (1785). For two pianos. HOCKET piano duo, Daniel Recital Hall, CSULB, Long Beach, California. (March 23)
wndhm (1785). For two pianos. HOCKET piano duo, California State University, Northridge, Northridge, California. (April 6)
“‘Inversions of all this chambermade music’: Napoleon Symphony, the Wake, and Mature Counterpoint.” Paper for the 25th International James Joyce Symposium, University of London. (June)
bristlecone and pitch. For two pianos. The Orpheus Duo, Cerritos College, Cerritos, California. (September)
knots and crosses. For solo harp (scordatura). Jillian Risigari-Gai, harp. Daniel Recital Hall, CSULB, Long Beach, California. (October 25)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. Daniel Recital Hall, CSULB, Long Beach, California (October 25)
If you know what I’m singing about up here (2016). For ensemble. CSULB New Music Ensemble, Daniel Recital Hall, CSULB, Long Beach, California. (November 2)
2015
Chair of the panel "Southern Identities" at the Society for American Music 41st Annual Conference, Sacramento, California. (March 7)
5 Studies for Glass and bridle, pomegranate and pears: On the viability and transience of a free and perfect union. For Native American bass flute, piano, and electronics. John Barcellona and Alan Shockley, performers. Daniel Recital Hall, CSULB. (March 23)
Witch's familiar. For solo flute. John Barcellona, flute. Daniel Recital Hall, CSULB. (March 23)
In residence at the Virginia Center for the Creative Arts to install The Commission 2015. (Early May 2015)
the reverse balducci. Miniature for toy piano. Mark Robson, piano. Piano Spheres: Tinkling the Tiny Keys, Boston Court Performing Arts Center, Pasadena. (May 8)
Installation piece Glass and bridle, pomegranate and pears: On the viability and transience of a free and perfect union. Collaborative work created with visual artist Brice Brown for The Commission 2015, Virginia Center for the Creative Arts. (May 9)
11 Studies for Glass and bridle, pomegranate and pears: On the viability and transience of a free and perfect union. For solo percussion and two-channel electronics. Kevin Sakamoto, percussion. Daniel Recital Hall, CSULB. (May 14)
In residence at the Virginia Center for the Creative Arts, Amherst, Virginia. (early June 2015)
die Tiefen des Rheins. For two-channel tape. 60x60 Presenters Mix, Fleischmann Planetarium and Science Center, the University of Nevada, Reno. (October 16)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Romanian Athenaeum / Bucharest Philharmonic, Bucharest, Romania. (October 21)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Frost School of Music, University of Miami. (October 23)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Winter Garden Theater at Brookfield Place, New York City. (12:30 p.m., October 23)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Winter Garden Theater at Brookfield Place, New York City. (8:00 p.m., October 23)
errours, faults, sinnes, folies. For violin and piano. The California E.A.R. Unit, Daniel Recital Hall, CSULB, Long Beach, California.
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Daniel Recital Hall, CSULB. (October 28)
die Tiefen des Rheins. For two-channel tape. Performance as part of the 60x60 XV Festival Mix, Knapp Performance Spacce, Denison University. (October 30)
2014
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) International Mix. Daniel Recital Hall, CSULB. (January 29)
bristlecone and pitch (2014) For two pianos. The Orpheus Duo (Mark Uranker and Althea Waites), Daniel Recital Hall, CSULB. (February 9)
…calling. For two-channel tape. 60x60 (2012) Pacific Rim Mix. University Art Museum, CSULB. (February 20)
the night copies me in all its stars. For orchestra. Rhode Island Philharmonic Community Orchestra, Edward Markward, conductor, Providence, RI. (March 2)
In residence at the Centre d’Art Marnay Art Centre (CAMAC), Marnay-sur-Seine, France. (March 2-30)
wndhm (1785). For piano. Alan Shockley, piano, Centre d’Art Marnay Art Centre (CAMAC), Performance for public open studio night, Marnay-sur-Seine, France. (March 27)
the reverse balducci. Miniature for toy piano. Mark Robson, piano, Fifteen-Minutes-of-Fame, Composer’s Voice Concert Series, Brand Library and Arts Center, Glendale, California. (Two performances) (April 6)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Rethymno, Crete, Greece. (April 8)
wind and shadow. For two-channel tape. Music for Lola Martinez's photographic installation, Exposition Romanika, Église Saint-Jacques de Dival, Dival, Champagne-Ardenne, France. (April 18-21)
[upon] glint in river’s bed. For horn, cello, and laptop ensemble. Robin Cox, director. Indiana University-Purdue University-Indianapolis, Indianapolis, Indiana. (April 28)
...in oceangreen of shadow. For shakuhachi, microtonally retuned harp, ensemble, and electronics. Kojiro Umezaki, Jillian Risigari-Gai, and the CSULB New Music Ensemble, Adriana Verdié, conductor. (May 13)
stone guest. For two trumpets and two trombones. Performers of the Conservatorio Niccolò Paganini, Villa dei Pini, Bogliasco, Italy. (May 29)
"Anthony Burgess and Dedalus's Will." Paper for the International James Joyce Symposium, Utrecht, the Netherlands. (June 18)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) International Mix. Moonlight on the Mountain, Birmingham, Alabama. (August 21)
Taoyuan airport (after Arvo Pärt). For solo double bell trumpet. Joe Drew, trumpet, Fifteen Minutes of Fame, Jan Hus Presbyterian Church, New York City. (October 12)
Lead CSULB New Music Ensemble in the world premiere of Pauline Oliveros' Sound Listening, Long Beach, California. (November 3)
a world away . For flute, clarinet, violin, cello, piano, percussion, microtonally retuned harp, and electronics. CSULB New Music Ensemble, Long Beach, California. (November 3)
"The 'eternal reality' of Debussy's Prélude à l’après-midi d’un faune in the works of Anthony Burgess,” paper for Anthony Burgess and France: the Fifth International Symposium on Anthony Burgess, Université d’Angers, Angers, France. (December 7-9)
2013
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Wahlberg Recital Hall, California State University Fresno, Fresno, California. (January 27)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Roland Hayes Concert Hall, University of Tennessee, Chattanooga. (January 28)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Audiograft 2013, Headington Hill Hall, Oxford Brookes University, Oxford, UK. (February 27)
wndhm (1785). For solo piano. Michael Kirkendoll, DuoSolo concert as part of "New Music Virtuosos in the BCCM," Daniel Recital Hall, CSULB. (March 16)
“Technology Meets Art” Panelist along with the Kronos Quartet and host Matt Kaplan, Planetary Society Radio Host. ECS-312, Engineering Building, CSULB. (March 22)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Theatersaal, University of Bremen, Bremen, Germany. (April 4)
s a n d m a n, For cello quartet and stompbox (or optional drum set). CSULB Cello Ensemble, David Garrett, director. (April 19)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Arts & Humanities Building Grand Opening, Black Box Theatre, Arts & Humanities Build, Texas A&M University, College Station, Texas. (April 19)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Arts & Humanities Building Grand Opening Encore, Black Box Theatre, Arts & Humanities Build, Texas A&M University, College Station, Texas. (April 20)
[upon] glint in river's bed. For solo horn and laptop ensemble. CSULB Laptop Ensemble, Martin Herman, director. CSULB Laptop Ensemble Concert. (April 21)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix. Digital Lightning, presented by the Working Group in Digital and New Media, UND Gorecki Alumni Center, University of North Dakota, Grand Forks, ND (April 22)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Bellingham Electronic Arts Festival, Pickford Film Center, Bellingham, Washington. (April 25)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Axis Arts Centre, Manchester Metropolitan University, Crewe Campus, Crewe, Chesire, UK. (April 26)
[upon] glint in river's bed. For solo horn and laptop ensemble. CSULB Laptop Ensemble, Martin Herman, director. Faculty Composers Concert, Daniel Recital Hall, CSULB. (May 3)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. John Jacob Niles Gallery, FIne Arts Library, University of Kentucky. (May 3)
union fragments. For women's chorus and amplified cello. CSULB Women's Chorus, Shannon Gravelle, Director. Daniel Recital Hall, CSULB. (May 6)
[upon] glint in river’s bed (2013) For horn (or other instrument) and laptop quartet. CSULB Laptop Ensemble, Martin Herman, director. INSIGHTS 2013, University Art Museum, CSULB. (May 8)
As yet untitled. Music for dance. Collaboration with dancer/choreographer Stephanie Zaletel, Iridian Arts Series: "Hook Ups and Speed Dating," LA Artshare. (May 19)
silt and shine. Miniature for solo cello. Craig Hultgren, cello. Occupy Cello - Upsetting the Musical Status Quo, Fifteen Minutes of Fame Concert, Jan Hus Church, New York City. (May 19)
silt and shine. Miniature for solo cello. Craig Hultgren, cello. Occupy Cello - Upsetting the Musical Status Quo, Fifteen Minutes of Fame Concert, Moonlight on the Mountain, Birmingham, Alabama. (May 29)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Webster University Film Series, Winifred Moore Auditorium, Webster University. (May 31)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Clarke Recital Hall, Frost School of Music, University of Miami. (September 23)
die Tiefen des Rheins. For two-channel tape. 60x60 Video (2012) Presenters Mix. Studio 300 Digital Art and Music Festival, Byte Gallery, Transylvania University. (October 4)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) International Mix. Electronic Music Midwest, Kansas City Kansas Community College, Kansas City, Kansas. (October 24)
2012
the night copies me in all its stars. For orchestra. CSULB Symphony Orchestra, Johannes Mueller-Stosch, conductor. (February 10)
the night copies me in all its stars. For orchestra. CSULB Symphony Orchestra, Johannes Mueller-Stosch, conductor. (February 11)
Performance (narrator) with the Robin Cox Ensemble for Tom Johnson’s Narayana’s Cows, Daniel Recital Hall, CSULB. (February 27)
Colloquium speaker, University of California, Berkeley. (April 13)
chapman’s homer. Robin Cox, violin. Faculty Composers’ Recital, Daniel Recital Hall, CSULB, Long Beach, California. (April 25)
dusted [gamma]. Miniature for solo marimba. Laura Jordan, marimba. Composers’ Voice Concert Series, Fort Washington Collegiate Church, New York City. (May 11)
“‘Hear angel trumpets and devil trombones’: Violence (and ‘Ultra-Violence’) in Beethoven’s Ninth.” Paper for the Fifty Years of A Clockwork Orange Conference, Manchester, UK. (June 30, 2012)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Arts NOW Series- North Carolina State University, Raleigh North Carolina. (September 18)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Gainesville State College, Oakwood, Georgia. (November 9)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Longy School of Music of Bard College, Cambridge, Massachusetts. (November 9)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Hulsey Recital Hall, University of Alabama at Birmingham, Birmingham, Alabama. (November 14)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Electronic & Digital Art Unit, University of Central Lancashire, Preston, UK. (November 20)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. University Art Museum, CSULB, Long Beach, California. (November 26)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Composers Concordance Mix, Composers Concordance Festival, Spectrum, New York, New York. (November 30)
Guest speaker, Long Beach City College, Long Beach, California. (November 30)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. Dinu Lipatti Concert Hall, National University of Music Bucharest, Bucharest, Romania. (December 5)
die Tiefen des Rheins. For two-channel tape. 60x60 (2012) Presenters Mix. musicBYTES, Ives Hall, Lewis University, Romeoville, Illinois. (December 7)
errours, faults, sinnes, folies. For violin and piano. The California E.A.R. Unit, Daniel Recital Hall, CSULB, Long Beach, California. (December 12)
Étude pour les pédales (contraption #4) For two-channel tape. 60x60 (2012) PianoForte Mix. PianoForte Foundation, Fine Arts Building, Chicago, Illinois. Two performances at 6 and 8 p.m. (December 14)
2011
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60: Sanguine Mix. Video Collaboration with Patrick Liddell. The Sprawl, London UK. (January 27)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60: Sanguine Mix. Video Collaboration with Patrick Liddell, William Paterson University, Wayne, New Jersey. (February 10)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60: Sanguine Mix. University Art Museum. (February 11)
die Tiefen des Rheins. For two-channel electronics. Composition Faculty Recital, Daniel Recital Hall, CSULB. (March 14)
glint in river's bed. For flute, clarinet, vioilin, violoncello, contrabass, percussion, piano/toy piano, narrator, and electronics. CSULB New Music Ensemble, Composition Faculty Recital, Daniel Recital Hall, CSULB. (March 14)
Sechseläuten. For wind ensemble. CSULB Wind Symphony, John Carnahan, conductor. Carpenter Performing Arts Center, CSULB. (May 5)
contraption #2. FOr two-channel tape. 60x60 Video collaboration with Pedro Pinheiro B-Movie, Hamburg, Germany. (May 25)
candlepin·bowling·deadwood. For flute, clarinet, violoncello, piano, drum set. What's Next? Ensemble, Vimbayi Kaziboni, conductor. Los Angeles Renaissance Arts Academy. (May 31)
stone guest revisited. For brass ensemble. CSULB Brass, Rob Frear, conductor. Composed for the groundbreaking ceremony for the new Piano Pavilion, Bob Cole Conservatory of Music, CSULB. (September 23)
I feel open to... For violin, piano/toy piano, and percussion. The California EAR Unit. Boston Court Performing Arts Center, Pasadena. (October 22)
Nothing hidden that will not be revealed. For solo piano. Dzovig Markarian, piano. Faculty Artist Series Concert, Daniel Recital Hall, CSULB, Long Beach California. (October 25)
stone guest. For two trumpets and two trombones. CSULB brass, Rob Frear, conductor. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
wndhm and wndhm (1785). For clarinet, piano, percussion, two violins, cello, contrabass. The CSULB New Music Ensemble. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
Kaija calling. For two-channel tape. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
pipers' noise. For snare drum line and two-channel tape. CSULB Percussion Ensemble, Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
I feel open to... For violin, piano/toy piano, and percussion. The California EAR Unit. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
to an unnamed beneficiary.... For clarinet, trumpet, and celesta. Justus Matthews, Rob Frear, and Alan Shockley, performers. Faculty Artist Series Concert, Daniel Recital Hall, CSULB. (October 25)
I feel open to... For violin, piano/toy piano, and percussion. The California EAR Unit. Rowland-Taylor Recital Hall, CSU-Chico, Chico, California. (November 4)
pipers' noise. For snare drum line and two-channel tape. CSULB Percussion Ensemble. Daniel Recital Hall, CSULB. (November 17)
micro-operas i-iii, Mindy Ehrlich, soprano. Faculty Composers Song Recital, Daniel Recital Hall, CSULB, Long Beach, California. (December 6)
2010
a foreign sound to your ear (what else can you show me?). For two-channel tape. UNC-Chapel Hill CHAT Digital Arts Festival. (February 16)
a foreign sound to your ear (what else can you show me?). For two-channel tape. CSULB Faculty Composers Concert, Daniel Recital Hall, CSULB. (March 1)
Type I error [111306-011107]. For two-channel tape. CSULB Faculty Composers Concert, Daniel Recital Hall, CSULB. (March 1)
morgenstreich. For flute, clarinet, amplified piano, harp, two violins, viola, and violoncello. CSULB New Music Ensemble, Daniel Recital Hall. (April 12)
contraption #2. For two-channel tape. 60x60 Dance presenting 360 Degrees of 60x60, Sanguine Mix, in Tompkins Square Park, NYC. (May 22)
candlepin·bowling·deadwood. For flute, clarinet, violoncello, piano, drum set. The Los Angeles Composers Project, the University of Southern California. (May 26)
musical contraption #1. For two-channel tape. 60x60 Dance, Order of Magnitude Mix, FoFA Gallery, Concordia University, Montreal, Canada. (May 30)
contraption #2. For two-channel tape. ICMC 2010, Electronic Music Foundation, NYC, 360 Degrees of 60x60 Installation. (June 1-2)
contraption #2. For two-channel tape. ICMC 2010, Stony Brook University, Stony Brook NY, 360 Degrees of 60x60 Installation. (June 3-5)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. KiBar in the KIBLA Multimedia Center, Maribor, Slovenia. (June 17)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. New Life Church Denton, Denton, Texas. (June 29)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. Transmorphous Sound Ensemble + Geek Weekend at Supermarket presented by THE AMBiENT PING, Toronto, Canada. (July 20)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. Ton:art/Gallery "Margit Haupt," Karlsruhe, Berlin, Germany. (August 6)
"Anthony Burgess's Symphonic Novel Napoleon Symphony: A Novel in Four Voices." Paper for the Pacific-Southwest Chapter of the American Musicological Society. (October 2)
glint in river's bed. For flute, clarinet, violin, viola, contrabass, percussion, piano/toy piano, electronics, and narrator. CSULB New Music Ensemble, University Art Museum. CSULB. (October 21)
"War Pigs." My reworking of the classic Sabbath anti-war statement for the Robin Cox Ensemble, with guest soprano Tany Ling (of the Industrial Jazz Group, Eighteen Squared, & Trans-Siberian Orchestra). (November 1)
contraption #2. For two-channel tape. 60x60 Project, 360 Degrees of 60x60 Sanguine Mix. Fresno New Music Festival, CSU Fresno, Fresno, California. (November 6)
"Shakespeare, Joyce, Burgess: Fictionalized Biography and Dedalus's Will." Paper for the Fourth International Symposium on Anthony Burgess, Université d'Angers, Angers, France. (November 20)
Sechseläuten. For wind ensemble. CSULB Wind Symphony, John Carnahan, conductor. Carpenter Performing Arts Center, CSULB, Long Beach, California. (Winter)
2009
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, presented by the Bowling Green State University Electronic Music Studio, United Christian Fellowship, Bowling Green, Ohio. (January 22)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, EARFEST festival, Stony Brook University, Stony Brook, NY. (March 11)
...to an unnamed beneficiary. For clarinet, trumpet, and celesta. Various CSULB faculty performers, Faculty Composer Concert, Daniel Recital Hall, California State University, Long Beach. (March 23)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, Sonic Art Oxford Festival, Jacqueline du Pres Music Building, St. Hilda's College, Oxford Brookes University. (April 2)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, Outside the Box New Music Festival, Altgeld Hall, Carbondale School of Music, Southern Illinois University. (April 4)
program note by Henry Cowell [Beta]. For two-channel tape. Vox Novus 60x60 Dance Event, Galapagos Art Space, Williamsburg, Brooklyn. (April 7)
musical contraption #1. For two-channel tape. Vox Novus, 2008 International Mix, Wayward Music Series, Chapel Performance Space, Good Shepard Center, Seattle, Washington. (April 17)
Pre-concert talk, “Zürich’s Sechseläuten and the Burning of the Böögg,” Bannister Gallery, Nazarian Center for the Performing Arts, Rhode Island College. (April 24)
Sechseläuten. Rhode Island College Wind Ensemble, Robert Franzblau, conductor, Roberts Hall Auditorium, Nazarian Center for the Performing Arts, Rhode Island College. (April 24)
solo performance of Mark Applebaum's The Metaphysics of Notation at the Cantor Arts Center, Stanford University, Stanford, California. (July 3)
“‘Useless creation’: A Vision of Battlements and Composing in Prose.” Paper for the International Anthony Burgess Foundation’s 3rd Symposium: Conflict, Dialogue, and Resolution. Kuala Lumpur, Malaysia. (July)
stn [adversary]. For solo violin. A virtuosic new piece commissioned by the Montecito Music Festival, and slated for premiere during the festival this year. (August 1)
little white house (underpass to the foundation), 1 p.m. [solo toy piano version]. Tiffany Lin, Rendezvous, Seattle. (November 5)
wndhm [flute, clarinet, cello, contrabass, marimba, percussion version]. CSULB New Music Ensemble, Daniel Recital Hall, CSULB. (November 9)
